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The Nokia 2610. |
Firstly, battery power. You want your phone to be able to tell you where the nearest gluten free bakery to Pitstone is? You want to be able to take photographs that make you look far fatter than you are (60p well spent on that app, but you could have bought a Mars bar and started working on it yourself)? Then be prepared for the battery life to ebb visibly in front of your eyes. Seriously, these smartphone companies are in cahoots with the electrical companies to try and drain the National Grid of as much as possible.
Secondly, the human angle. People whip out their smartphones at any opportunity, and not in an "I've got the latest Smithgrinder 5000 X, with added whipple effect" way. Have a dispute? Check it on the mobile interwebz. Need to find out where you are? Map app. There will come a time when most of us will be completely reliant on these things, and if the GPS satellites go wonky because of solar flares (which is quite possible) or, heaven forbid, our phones have some inbuilt fault like these Toyotas that seem to perpetually be recalled, then our brains won't be able to cope. Judging by that long and fractured sentence, the melt-my-brain process has already begun.
I decided to try and reverse that process by visiting the Tate Britain gallery in London where my favourite painting resides (ooh, get him, he's got a favourite painting). For those that don't know, the Tate galleries were set up by the same Tate from Tate and Lyle who make the syrup. I was going to make a joke about what Lyle decided to be philanthropic towards, but I could find nothing important called Lyle. If you're called Lyle, you don't matter and your parents don't love you. Sorry. Anyway, my favourite painting wasn't on display owing to a massive refurbishment of the place and some due to there being an exhibition of some bloke called Turner's paintings. I looked at the modern art (crap) and I looked at one or two of Constable's. And then I went through about 80 Turner paintings. He's an infuriating artist because he has the skills, but sometimes paints something incredibly dull or in a rubbish way. Yes, I KNOW art's subjective, but some of it is bunk. Really. Anyway, right at the end when I had been given more than a couple of suspicious looks (holding several carrier bags whilst wearing a velvet jacket with a giant orange metal framed rucksack on the back of it is a faux pas, apparently), I happened upon this fucking HUGE painting which must have taken him a few hours to finish, a view of Rome from Vatican City from a Papal balcony, perhaps. Standing up right close to it meant you could see the amazing background detail, and there was a lot of that in there. It seemed to be a painting of a few paintings left slipshod by the balcony- I should have read the description next to it. Doesn't matter. The paintings inside the painting were utterly amazing. I know I've already said amazing, so pick any synonym you like. I'm sticking with amazement. The picture below really doesn't do it justice, but you could go and see it. Entry's free, although they strongly suggest a £4 donation. I gave £2.50. I mean, not having my favourite painting and replacing it with this much-vaunted twat? Who do they think they are? Showponies.
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Turner's "Rome, from the Vatican." |
Finally, I started to head off for home towards Westminster tube station, which naturally took me past the Houses of Parliament, when who should I bump into but Charles Clarke, former Home Secretary. He didn't recognise me though, for some reason. I realise that relaying you this isn't the most inspired ending to a blog, but it's quite apt as he wasn't the most inspired Home Secretary.
Today's Tune
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